“Small Flight Turns Big,” Greg’s July column

SnowSquallSedonaSEZ_7144-EditeSmw1200Better than a sunny day

By car, Sedona, Arizona is 45 minutes over winding mountain roads from Flagstaff. But by Flying Carpet, it’s less than 20 miles and takes ten minutes. The small distance, however, belies the grandeur of the flight. Forested Flagstaff graces the southwestern Colorado Plateau, while sunbaked Sedona edges the Verde Valley far below the plateau’s red-rock rim. To fly there you cruise cool pines for five minutes, launch over a 2,200-foot precipice, and plummet half a mile downward between scarlet spires to Sedona’s mesa-top “aircraft carrier” runway.

Videographer Derek Ellis and I had been filming at Flagstaff Airport under partly cloudy skies this unseasonably cool morning. The forecast called for gusty winds and midday snow showers, so we’d agreed to shoot on the ground today and film aloft tomorrow which was to be sunny and warmer. After capturing hangar and preflight shots, Derek wanted to test our cockpit audio setup for tomorrow’s aerial recording. So he took the copilot seat and I cranked up the engine. So much for that forecast bad weather, I thought, scanning high broken clouds.

“It seems like a shame not to fly when we’re sitting here with the engine running,” I said to Derek. “Shall we go up for a look? If conditions are favorable, we’ll do some filming. If not, we’ll just fine-tune the audio and return to land.” My friend showed thumbs-up, so armed with my previous weather briefing we taxied for takeoff. No sooner had we cleared the trees than it was obvious the weather was good for miles around. What’s more, shafts of sunlight streamed between the clouds, and the air sparkled clear for filming.

I steered to where scenic Sedona huddled out of sight beyond the rim. Within minutes we cleared the cliffs, and Derek excitedly filmed the freshly revealed red rock paradise on his first-ever light airplane flight. When he finished, I suggested we land for breakfast at the airport restaurant.

Sedona’s runway slopes upward to the northeast. Since slope generally trumps light winds when it comes to runway performance, Sedona traffic normally lands uphill on Runway 3, and departs downhill on Runway 21. There are various rules of thumb for estimating when winds should override slope in determining takeoff and landing direction. Some pilots use 10% of touchdown or rotation speed as their limit for arriving or departing with a tailwind, while others round the number to a simple 10 knots. With today’s breeze southwesterly, I elected to land uphill with a light tailwind.

Over huevos rancheros and plenty of coffee, we discussed Derek’s upcoming graduation from Northern Arizona University, and his filmmaking career plans. Then, some 35 minutes after arriving, we moseyed out the restaurant door toward the airplane.

“Whoa! Look at that!” said Derek. To our astonishment, a massive snow squall loomed ominously from the northwest…

Read Greg’s entire Flying Carpet column about this adventure, “Small Flight Turns Big.”

Photo: A late-season snow squall threatens Sedona Airport, Arizona. See more photos here.

View Derek Ellis‘s video shot partly on this flight:

©2013 Gregory N.Brown

(This column first appeared in the July, 2013 AOPA Flight Training magazine.)

“Lake Powell Channel,” Greg’s Aerial Fine Art Photographic Print

Lake Powell Channel 0945-HSmw1200

In this month’s print, Navajo Canyon, now an arm of Lake Powell on the Arizona-Utah border, funnels boaters through red rock bluffs of astounding scale.

“Lake Powell Channel,” was photographed near Page, Arizona, on a flight associated with my February, 2012 Flying Carpet column, “Carrying the Flag.”

“Lake Powell Channel,” debuts in Limited Edition  27″x40″ and 24″x36″ prints, and Open Editions of 16″x24″ and 10″x14″. Print prices range from $175 to $1500, with many options in between. See detailed pricing and ordering information.

Like all my Views from the Flying Carpet, this photograph was collaboratively tuned for print with Master Photographic Printer Richard Jackson, who prints for the world’s finest photographers. Each individual print is meticulously crafted, matted and/or framed, and packaged for shipping under Mr. Jackson’s supervision.

Learn more about my Views from the Flying Carpet Fine Art Photographic Prints, including available images, my collaborator Master Printer Richard Jackson, and our process for creating these marvelous prints. You can also subscribe for email updates.

Hope you enjoy this view from aloft!

Greg

©2013 Gregory N. Brown

Greg’s “Sunset Rains” fine art aerial photograph featured in Rod Machado’s popular column

SunsetRainshowers_1156-Hance8bitNoTankSmw1200Many thanks to aviation writer and humorist Rod Machado for featuring my “Sunset Rains” photograph with his June AOPA Pilot magazine column.

Read Rod’s column, here: “Aviation Photography: Swept away by still images.”

6-13 AOPA Pilot cover 800smFor those who aren’t familiar, Rod is the most widely-read general aviation columnist, writing for the world’s largest circulation aviator magazine, so I am thrilled that he selected my photograph to discuss.

And to share the page with the likes of legendary aviation photographer Mike Fizer makes it all the more honorific.

Thank you, Rod!

Greg

©2013 Gregory N. Brown

“‘Flying Carpet’ Tour,” Greg’s June column

SONY DSCThe Great American Flying Vacation

Nothing beats exploring the world from the cockpit of a personal airplane. Sure, there are endless regional diversions to draw us aloft. But who among aviators doesn’t aspire to grand aerial journeys, and treasure memories of those made in the past? For unlike airline travel, piloting is as much about the voyage as the destination.

Last summer I heard from Angus Watson, who with his wife Chloe was planning a flying vacation from Chicago through my neighborhood: the desert Southwest. We discussed their intended route, and associated terrain and weather considerations. But not until Angus shared their online photo album afterward did I realize that he and Chloe had just completed a “Great American Flying Vacation.” Their dozens of amazing ground and aerial photos reminded me that such journeys are at the core of why we learn to fly, but at the same time have become disappointingly rare.

The Watsons invested $6000 in their 16-day, 3,000-mile vacation, including 27 hours in their flying club Cessna 182, avgas, car rental, and lodging.

“We chose to stay at some pricey hotels — Santa Fe’s La Fonda, The View in Monument Valley, and the Grand Canyon’s El Tovar Lodge,” explained Angus, “but the memories will last forever. Compared to a premium two-week cruise or tour, this vacation was a bargain. And as they say in the ads, how do you value piloting an airplane over Monument Valley, the Grand Canyon, and Canyonlands National Park? Priceless!”

GregBrownFT613-SchaarC172_6916eSmw1200Then last fall, San Antonio pilot Sergio Schaar wrote of “touring the beautiful Southwest by air. I have great interest in flying from San Antonio to Monument Valley during March spring break with my 13-year-old son Max in my 1971 Cessna 172.” He expressed concerns, however.

I love traveling to new places and I love adventure, but I’m also a conservative newly-minted instrument pilot who always puts safety first. I am concerned about mountain downdrafts, high density altitudes, the tricky approach into Monument Valley’s ‘one-way’ airport, aircraft performance if I need to fly instruments at high minimum en route altitudes, winds aloft exceeding 30 knots, rapidly changing weather, not to mention being in the middle of nowhere… and of course, my own limitations. Greg, do you think it would be stupid and crazy for a 300-hour flatland pilot like me, who has never flown in high elevations and mountainous terrain, to try a trip like this? Too ambitious, maybe?”

“Of course not,” I replied, “This is why you became a pilot!”

Read Greg’s entire June, 2013 Flying Carpet column, Flying Carpet Tour.” (Please allow a moment for the file to load.)

Top photo: Chloe and Angus Watson at Monument Valley, Utah. (See the Watsons’ “Southwest Vacation” photo album.)

Upper right: Max and Sergio Schaar with their Cessna 172, the “Green Hornet” in Flagstaff, Arizona. (See the Schaars’ “Flying Carpet Tour” photo album.) 

See more column photos here.

©2013 Gregory N.Brown

(This column first appeared in AOPA Flight Training magazine.)